| Children have an odd knack for getting lost. Often | | | | Fabulous fame. The two women relish their pack of |
| times, it's because they want to. This is the case for | | | | Scottish Terriers, enough so that they have each |
| Coraline Jones (Dakota Fanning), the young heroine | | | | one stuffed once it passes on. Equally as strange is |
| of Henry Selick's Coraline. Adapted from the 2002 | | | | the upstairs neighbor, Mr. Bobinski (Ian McShane of |
| sensational fantasy/horror novella by Neil Gaiman, | | | | Deadwood), a Russian acrobat who is training a |
| Coraline is a miracle in stop-motion animation. Selick, | | | | mouse circus that isn't quite ready to show yet. |
| who animated A Nightmare Before Christmas for Tim | | | | Eventually, even the oddities of her daily surroundings |
| Burton, worked with LAIKA Entertainment House for | | | | aren't enough to appease Coraline's thirst for |
| 3 years, breathing life into thousands of handcrafted | | | | distraction. Here, the film shifts gears from innocent |
| puppets and creating dream/nightmare landscapes | | | | child musings to something sinisterly amiss when |
| that waver between kid stuff and creepy, mature | | | | Coraline finds a small secret door in the living room. |
| entertainment. A dazzling 3D treatment is the way to | | | | At first, the hidden passage is bricked up, but when |
| go for those lucky enough to have $12 to spend on | | | | Coraline falls asleep later that night, mice, presumably |
| a movie ticket and access to a theater that offers | | | | from Bobinsky's circus, waken her and lead her back |
| this burgeoning medium. A warning: if you do see this | | | | to the secret door, which now reveals a long purple |
| film in 3D, your eyes will be spoiled, and you'll never | | | | tunnel. There's no apprehension as Coraline shuffles |
| settle for two dimensions again. | | | | down the intestinal chute and emerges in an alternate |
| Coraline has just moved into The Pink Palace (just | | | | reality where life is opposite, and seemingly improved. |
| one of many veiled adult allusions in the film), a | | | | On this eerily bizarre other side, her Other Parents |
| three-story Victorian mansion recalling a cake-like | | | | are extremely attentive and charismatic. Wybie is |
| version of the Deetz house in Beetlejuice. Her | | | | comfortably mute, but his cat can speak. Bobinski's |
| parents, plant catalogue writers, are too busy | | | | mouse circus is a great success. Misses Forcible and |
| working to even unpack, much less pay attention to | | | | Spink lithely put on an astounding stage performance, |
| their lonely daughter. Frustrated, Coraline relies on her | | | | mixing Shakespeare with Botticelli's The Birth of |
| young imagination and exploratory tendencies to fill | | | | Venus (animated pasties, anyone?). Initially, the only |
| the rainy hours indoors and out of her new, eccentric | | | | thing off-putting is that everyone here has dead, |
| surroundings. She begrudgingly befriends a | | | | black buttons for eyes. |
| mischievous boy, Wybie (short for Wyborn), and his | | | | Somewhat predictably, the doting affections of her |
| feral, mangy cat. Wybie's grandmother owns The | | | | Other Mother (Teri Hatcher) become smothering. The |
| Pink Palace from afar and is constantly calling him | | | | subtleties of a child's relationship with their parents |
| home for fear that he'll be in danger. Disbelieving, as | | | | are the root of what becomes a nightmare for |
| kids do, any hints of ambiguous 'danger,' Coraline | | | | Coraline. Other Mother is really The Beldam, a |
| goes about meeting the odd tenants of the other | | | | monstrous spider-woman who is intent on building a |
| two apartments in The Pink Palace. The basement | | | | doll collection out of any child's soul she can get her |
| dwellers are two British old maids who are former | | | | long spindly fingers on. The film builds speed towards |
| stars of the stage. The impossibly busty Miss Forcible | | | | a videogame-like puzzle that Coraline must solve in |
| and the gimp-legged Miss Spink are hilariously voiced | | | | order to save her kidnapped Real Parents and free |
| by Dawn French and Jennifer Saunders of Absolutely | | | | the souls of The Beldam's former child victims. |